LECTURE 1: architecture
This sketch demonstrates the main alter space of the Daisen-in. The three different sliding door systems are shown. They consist of the fusuma, shoji and mairado. We believe these are an important element of the building as they are an innovation introduced to Japanese architecture at the time, by the Daisen-in.
The diagram on the left emphasises the uniqueness of the sliding doors as it has the ability to transform a room from a public to a private space. This is done by simply sliding or removing the doors, bringing the outside in. The illustration on the right shows the way the timber pieces interlock with eachother on the sliding doors.
LECTURE 2: gardens
This sketch conveys the typical zen garden that is within the Daisen-in. The different elements within the garden represent aspects of the Chinese landscape. Water and mountains are expressed through stones and gravel.
This illustrates the garden and the stones within it which represent a stream that is symbolic of life. The wall element blocking the stream signifies doubt and contradiction.
The diagram shows the changeable relationship between the interior and exterior, through the sliding doors, which can provide views to important elements within the surrounding garden.
LECTURE 3: Boundaries and Connections
The entrance is a mediation zone between the exterior bounded garden and the more private parts of the sub-temple. It is a place for circulation and status, which can be seen through the bench. It hides and reveals the private space through window. The floor finish acts as a visual connection between the more public and private areas of the Daisen-in.
This image demonstrates the peripheral circulation spaces running around the building. This particular area is deeper and more articulated because of the steps. This strengthens the relationship between the south facing garden and the alter within the interior.
